By: Diego Bobadilla

A mystery unfolds in the film adaptation of Agatha Christie’s novel “A Haunting in Venice” by 20th Century Studios. As usual in Agatha Christie’s books, a murder has taken place and Hercule Poirot (Kenneth Branagh) is back to investigate a murder during at an otherworldly palazzo in Venice, Italy. What begins as a Halloween celebration for the locals in the city, turns into a nightmare where all attendees are called into question. Who is at fault? Who knows the truth? Hercule Poirot undergoes an investigation like no other, with spooks and surprises!

“Same old, same old”, is what Kenneth Branagh’s latest film feels like. What feels like something we have already seen on the big screen, Branagh’s latest work falls short in desire, making the film’s concept feel repetitive. It’s easy to follow what is set to happen after 10 minutes. The set-up of the story is pretty predictable. What should be highlighted in his new film is the captivating and immersive locations where the story takes place. Branagh’s newest film includes dark tones that offer alluring, clever camera work, and dark foreshadowing that create uncanny moments never seen in any of his previous work.

The film includes a stellar cast who play interesting characters, but at a point gets underwhelming as we don’t spend too much time learning who each character is, and the film offers minimum character development. Also, a few characters get lost in transition when the mystery is at its highest peak, causing confusion on who matters after all. The film includes Michelle Yeoh whose few scenes make the film worth seeing. After Yeoh, Tiny Fey is the best of the bunch, showcasing a character that we are not used to seeing her play. Fey’s characterization as Ariadne Oliver provides comic relief in dull moments. Her timing in replies is erudite but yet, polished which is quite impressive.

“A Haunting in Venice” is worth watching for its impressive and beautiful locations, but in conclusion, the film’s adaptation of Agatha Christie’s novel on the big screen feels short in delivery, making a film that only consists of quirky drama and horror and what we already seen before.

“A Haunting in Venice” hits movie theaters on September 15th